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Fiona Templeton/The Watcher Scene 14

The Veiled One’s still moving

Music on again

The Robed One

Head tilted backwards

Fingers flickering before his no eyes

 

The one of The Three faces backward

Caring for one of The Three who dances

Trembling

F f f f finding

Funny

The Robed One vomits it

From his toung

 

How can I describe everything that happens

When so much of it happens is not known?

Is not visible to me?

 

The Veiled One is crouching

 

Like a crawl of flesh

The Photographer photographs

The end of the message

The Minder circles the outside of the enclosure

 

Caught

They’re caught in the enclosure

 

I’m caught in the

Describing of the enclosure

Describing

Covering the information

I’m reporting from afar

I’m The Witness

You’re the witness

I’m the means of your witnessing

 

I’m witnessing your witnessing

The Veil almost rising

A stethoscope hanging from his ears

Taped to his breast like my friends catheter

 

Behind him arms also raised

Shapes like criss-crossing

Between the square of his arms

I can see through

The square of his arms raised

To his head

Her raised arms as she turns

 

Slow this time

Slow to a wave inside her body

A wave

Like a child

A wave like a baby

Compelled to move by newness

By new muscles

Or floating

Floating in a fluid

In amnesiac fluid

And the curtain falls

 

She enters

 

Is

Any

Body

There?

 

For a moment I heard the voice of The Medium

Standing at the back 

Is he standing at the back?

Or is anybody there?

James Brown/The Medium Scene 14

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

And it’s also making me think about Cuba…

 

 

 

 

 

 

... I feel ... I feel this gentleman that I'm seeing... I feel that he’s, he's coughing or being sick and that I feel that his stomach... his stomach just feels... I don’t know if he’s been shot in his stomach but... it just feels like he’s... he's just sicking away his life force...

 

I have the sense of him on his knees and just thinking my God...

 

 

 

 

 

 

 

I feel really quite... I feel quite upset. I feel very... I feel emotionally overcome. I feel ... I feel very...upset...

 

 

 

I feel this man definitely died and… it just feels the extinguishing, the extinguishing of something very vibrant…

 

 

 

 

 

 

 

 

 

 

 

 

 

… I’m standing at the back of the theatre again, on the right hand side looking at the curtain…

 

 

Fiona Templeton/The Watcher Scene 24

 
Is any body there? 

 

I still hear the voice of The Medium

In the space

Is he telling?

He’s not talking to you

Who’s he talking to?

You’ll hear him

Flicker-flicker-flicker-flicker-flicker-flicker away

Flicker-flicker-flicker where is he?

It’s as if he’s feeling his way through a space

 

The flickering knives of…

It leaves him

The tape has stopped

The communication from

Elsewhere has stopped for him

She bows

Low

Lifts

And

Stagger

 

A continued falling into the space

Backwards

Once every scene

Is the falling in?

She is the event

She is what happens

 

The others are

There in their bodies

 

 

Blinded

And bodied

 

 

The hands

Of the one with the veil

Are themselves disappearing

He turns them in

They have backs only

No palms

 

 

There’s a quiet on the stage

But I still can’t hear what the other voice is saying

Next time

The sound stops

 

I’ll give silence

 

The Masked One is staring at the television

Leaning over

As if fixed rigid in position

Fixed frozen

 

By the image….

 

The one rumble mumbling

How to say over with the sounds of below?

How to say out with the sound of in?

Mo-mellow-m-m-m-m-m-m-m-m-m-m

M-m-m-m

Is almost touching him

Touching him frozen

She’s heat

He’s

Ice and waiting

 

 

Curtain

James Brown/The Medium Scene 24

 

 

 

 

but this is… this feels like it’s a long way back, it feels like… this feels like it’s perhaps Victorian days or early 20th century because I’m seeing his helmet, his helmet is like… it’s got a crest on it or horsehair or something like that, maybe the horse is involved in pulling a cart or something but I feel that… and I’m seeing a beard as well, maybe it’s red, it looks brown and red… quite a thick beard I’m seeing this gentleman’s got and er…he may have worked as a, as a, as a steward here as well, he may have done that… putting out fires for… it’s to do with putting out…

 

 

 

 

 

 

 

 

He was putting out fires, I feel…

 

 

 

 

 

… I’m at the back of the auditorium on the first floor on the left-hand side…

 

 

 

 

 

 

 

 

 

 

and er… I feel a lady but a young lady, a young lady who would have sold some kind of, some kind of food for the audience and I feel that she came from the east, the east of London, maybe quite far out and I’m hearing a name Jeanie or Jean, I’m not sure if this is her name but she doesn’t seem very tall, she looks quite short and she’s got her hair pulled back and it looks to me a little bit like a black… it looks like a black piece of material, lace or something, round her forehead and perhaps tying up her hair at the back… I don’t know what it’s called but her hair is pulled back and there’s some black thing around her forehead and I feel she’s got a tray that is fastened round her neck and… I feel that this is where she would have stood… I feel she would have stood and watched… as well as worked…

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